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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - Case studies as conferencing format:  STS-ing Bochum and Digital Twins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Preparing the poster together</image:caption>
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      <image:title>on-going fieldwork - Case studies as conferencing format:  STS-ing Bochum and Digital Twins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - Case studies as conferencing format:  STS-ing Bochum and Digital Twins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - Micro Phenomenology Crash Course. Practical Tips and Tricks for Fieldwork with First-Person Experience - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - Rubbing as fieldwork: Workshop on site writing with technologies of captures, with MELT, Shauna Janssen and the Speculative Realities Lab at Kunstgewerbemuseum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>on-going fieldwork - Rubbing as fieldwork: Workshop on site writing with technologies of captures, with MELT, Shauna Janssen and the Speculative Realities Lab at Kunstgewerbemuseum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>on-going fieldwork - Rubbing as fieldwork: Workshop on site writing with technologies of captures, with MELT, Shauna Janssen and the Speculative Realities Lab at Kunstgewerbemuseum - Make it stand out</image:title>
      <image:caption>Claudia, Lin &amp; Ren enjoying the results of the rubbing during the final public workshop session on the Friday afternoon.</image:caption>
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    <image:image>
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      <image:title>on-going fieldwork - Rubbing as fieldwork: Workshop on site writing with technologies of captures, with MELT, Shauna Janssen and the Speculative Realities Lab at Kunstgewerbemuseum - Make it stand out</image:title>
      <image:caption>Neuroscientists Melina Engelhardt and Robert Schenk grasping for brain tracts in our prototype at KGM, assisted by creative coder Warja Rybakova ©Maxime Le Calvé</image:caption>
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      <image:title>on-going fieldwork - The visiting scholar as ethnographer: fieldwork at the University of Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - The visiting scholar as ethnographer: fieldwork at the University of Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - The visiting scholar as ethnographer: fieldwork at the University of Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - The visiting scholar as ethnographer: fieldwork at the University of Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>on-going fieldwork - The visiting scholar as ethnographer: fieldwork at the University of Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - The visiting scholar as ethnographer: fieldwork at the University of Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - The visiting scholar as ethnographer: fieldwork at the University of Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/61eae02e-c6a1-4011-ae55-f486c8e15f69/Paper.Field_notes_Oxford_2023.4.png</image:loc>
      <image:title>on-going fieldwork - The visiting scholar as ethnographer: fieldwork at the University of Oxford - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2023/6/26/fieldworking-art-science-a-tour-of-the-yet-it-moves-exhibition-at-copenhagen-contemporary-with-eer</loc>
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      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760522972-6IMV7EYL3VV8JWWJKAPX/Paper.EER.5.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760547158-4MCDRD0AMEZ7H9II83ZZ/Paper.EER.6.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760535050-15D3G8HFS8K4ZIKIZHR4/Paper.EER.7.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760550972-KM19IL2FYPHH59XFWQ16/Paper.EER.8.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760553130-Z1U983RMGV9VJ9R19EV2/Paper.EER.9.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760522972-6IMV7EYL3VV8JWWJKAPX/Paper.EER.5.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760547158-4MCDRD0AMEZ7H9II83ZZ/Paper.EER.6.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760535050-15D3G8HFS8K4ZIKIZHR4/Paper.EER.7.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1687760550972-KM19IL2FYPHH59XFWQ16/Paper.EER.8.png</image:loc>
      <image:title>on-going fieldwork - Fieldworking art-science: a tour of the “Yet, it moves!” exhibition at Copenhagen Contemporary with EER</image:title>
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  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2023/6/12/writing-fieldwork-with-chat-gpt-an-ethnographic-report-in-the-style-of-anton-chekhov</loc>
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    <lastmod>2023-08-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/b80a8c84-5645-43f7-8aaf-90693200822b/Paper.Driving_the_human_MoA.8.png</image:loc>
      <image:title>on-going fieldwork - Writing Fieldwork with Chat-GPT: An Ethnographic Report "in the style of Anton Chekhov" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2023/4/23/3dsketchingworkshop</loc>
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    <lastmod>2023-04-23</lastmod>
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      <image:title>on-going fieldwork - Conducting a 3D sketching workshop as fieldwork: Drawing and telling neuroanatomical landmarks spatially at the Speculative Realities Lab, Charité Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>on-going fieldwork - Conducting a 3D sketching workshop as fieldwork: Drawing and telling neuroanatomical landmarks spatially at the Speculative Realities Lab, Charité Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2023/4/20/note-to-self-on-scaling-way-up-ethnographic-research-into-interdisciplinary-reflections-beyond-the-normal-procedure</loc>
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      <image:title>on-going fieldwork - Note to self: on scaling way up ethnographic research into interdisciplinary reflections “beyond the normal procedure” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Note to self: on scaling way up ethnographic research into interdisciplinary reflections “beyond the normal procedure” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Note to self: on scaling way up ethnographic research into interdisciplinary reflections “beyond the normal procedure” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Note to self: on scaling way up ethnographic research into interdisciplinary reflections “beyond the normal procedure” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Note to self: on scaling way up ethnographic research into interdisciplinary reflections “beyond the normal procedure” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2023/3/11/taking-a-break-fromas-fieldwork</loc>
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    <lastmod>2023-03-11</lastmod>
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      <image:title>on-going fieldwork - Taking a break from/as fieldwork - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1678533079038-NWPOX8S4E6FBBTND4WIR/1_India_Morjim_2023.jpeg</image:loc>
      <image:title>on-going fieldwork - Taking a break from/as fieldwork</image:title>
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      <image:title>on-going fieldwork - Taking a break from/as fieldwork</image:title>
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      <image:title>on-going fieldwork - Taking a break from/as fieldwork</image:title>
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  <url>
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      <image:title>on-going fieldwork - Fieldwork in the art-science VR scene: Sophie Erlund &amp;amp; the Experimenting, Experiencing, Reflecting group @PSM Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - Teaching Digital Neurosurgery as Fieldwork: Mixed Reality and 3D sketching at Speculative Realities Lab - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - Teaching Digital Neurosurgery as Fieldwork: Mixed Reality and 3D sketching at Speculative Realities Lab - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2022/9/26/awake-surgery-as-fieldwork-snippet-from-the-sketching-brains-participant-exhibition-project-at-charit-berlin</loc>
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      <image:title>on-going fieldwork - Awake Surgery as Fieldwork: snippet from the "Sketching Brains" participant exhibition project at Charité Berlin - Make it stand out</image:title>
      <image:caption>Credit MLC</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Awake Surgery as Fieldwork: snippet from the "Sketching Brains" participant exhibition project at Charité Berlin - Make it stand out</image:title>
      <image:caption>Credit MLC</image:caption>
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    <image:image>
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      <image:title>on-going fieldwork - Awake Surgery as Fieldwork: snippet from the "Sketching Brains" participant exhibition project at Charité Berlin - Make it stand out</image:title>
      <image:caption>Credit MLC</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Awake Surgery as Fieldwork: snippet from the "Sketching Brains" participant exhibition project at Charité Berlin - Make it stand out</image:title>
      <image:caption>Credit MLC</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Awake Surgery as Fieldwork: snippet from the "Sketching Brains" participant exhibition project at Charité Berlin - Make it stand out</image:title>
      <image:caption>Credit MLC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/8e5b10a7-278d-43f6-afe7-a985317a345c/Paper.Fieldwork_Charite%CC%81_2022.28.png</image:loc>
      <image:title>on-going fieldwork - Awake Surgery as Fieldwork: snippet from the "Sketching Brains" participant exhibition project at Charité Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/a1c4a0cd-1575-40bd-bf7b-6ec3950d1742/Paper.Fieldwork_Charite%CC%81_2022.29.png</image:loc>
      <image:title>on-going fieldwork - Awake Surgery as Fieldwork: snippet from the "Sketching Brains" participant exhibition project at Charité Berlin - Make it stand out</image:title>
      <image:caption>Credit MLC</image:caption>
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  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2022/7/28/conference-as-fieldwork</loc>
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    <lastmod>2022-07-31</lastmod>
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      <image:title>on-going fieldwork - Conference-as-fieldwork: EASA 2022 in Belfast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - Conference-as-fieldwork: EASA 2022 in Belfast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>on-going fieldwork - Conference-as-fieldwork: EASA 2022 in Belfast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Conference-as-fieldwork: EASA 2022 in Belfast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Conference-as-fieldwork: EASA 2022 in Belfast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Conference-as-fieldwork: EASA 2022 in Belfast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1f5873f4-bf97-49b3-aece-51d6e7cb6321/3D55D724-38F8-43FD-BA7E-57F852622A3D.jpeg</image:loc>
      <image:title>on-going fieldwork - Conference-as-fieldwork: EASA 2022 in Belfast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Conference-as-fieldwork: EASA 2022 in Belfast</image:title>
      <image:caption>The ethnographer at work. Sitting in the corner that will offer the clearest picture is more often than not a deliberate choice.</image:caption>
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  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2022/6/13/teaching-as-fieldwork-open-design-studio-course-growing-senses</loc>
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      <image:title>on-going fieldwork - Teaching-as-Fieldwork: Open Design studio course "Growing Senses" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/f8dd4072-b4da-4725-9930-a862c4c44118/Paper.Journal.26.png</image:loc>
      <image:title>on-going fieldwork - Teaching-as-Fieldwork: Open Design studio course "Growing Senses" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Teaching-as-Fieldwork: Open Design studio course "Growing Senses" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/85a91cc8-90fa-45df-9680-e79efee09b98/Paper.Journal.28.png</image:loc>
      <image:title>on-going fieldwork - Teaching-as-Fieldwork: Open Design studio course "Growing Senses" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/e6191778-9b5f-4dc0-8147-4b78d1f164fb/Paper.Journal.29.png</image:loc>
      <image:title>on-going fieldwork - Teaching-as-Fieldwork: Open Design studio course "Growing Senses" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/c6539cad-939b-4982-ad96-d0a752f4a94e/Paper.Journal.30.png</image:loc>
      <image:title>on-going fieldwork - Teaching-as-Fieldwork: Open Design studio course "Growing Senses" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2022/3/23/closing-an-exhibition-as-fieldwork-tat</loc>
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    <lastmod>2022-03-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/3d97d204-9ec0-48ce-b062-1c3ef591f6d1/Paper.Journal.22.PNG</image:loc>
      <image:title>on-going fieldwork - Closing an Exhibition-as-Fieldwork #TAT #StretchingMaterialities - Make it stand out</image:title>
      <image:caption>»About clouds, robots and the sea – thoughts on the aesthetics of metabolic formations, biodiversity and new ecologies in art and design« - Artist Talk with Clemens Winkler, Babette Werner and Anne Duk Hee Jordan, 28.02.22 @TAT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/4996e84a-f1fd-40a1-8ce3-fdbb876c0d20/Paper.Journal.21.PNG</image:loc>
      <image:title>on-going fieldwork - Closing an Exhibition-as-Fieldwork #TAT #StretchingMaterialities - Make it stand out</image:title>
      <image:caption>Sound-Performance »Scattered Diffusion« von Mascha Kobylenko &amp; Siamend Darwesh on 28.02.22 at TAT</image:caption>
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    <image:image>
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      <image:title>on-going fieldwork - Closing an Exhibition-as-Fieldwork #TAT #StretchingMaterialities - Make it stand out</image:title>
      <image:caption>Clemens Winkler and Skander Hathroubi around the dust filtering machine from the the lab of Regine Hengge @TAT</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Closing an Exhibition-as-Fieldwork #TAT #StretchingMaterialities - Make it stand out</image:title>
      <image:caption>Final video documentation of the exhibition Stretching Materialities, here the Virtual Sensing Knife and Haptic Hanbok vitrine by Yoonha Kim and Maxime Le Calvé</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/bf240184-60fd-42e6-8a92-8e3a98d98a91/Paper.Journal.24.PNG</image:loc>
      <image:title>on-going fieldwork - Closing an Exhibition-as-Fieldwork #TAT #StretchingMaterialities - Make it stand out</image:title>
      <image:caption>“I was born like this”: portrait shot of Natalija Miodragovič in her knitted willow “Haptic Nest”, with Ümit</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2021/12/3/note-on-performing-fieldwork-vincent-moons-live-cinema-somaartberlin</loc>
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      <image:title>on-going fieldwork - Note to self on performing fieldwork: Vincent Moon's Live Cinema @SomaArtBerlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Note to self on performing fieldwork: Vincent Moon's Live Cinema @SomaArtBerlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>on-going fieldwork - Note to self on performing fieldwork: Vincent Moon's Live Cinema @SomaArtBerlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2021/9/19/fieldwork-as-stretching-senses-stretching-materialities-opening-at-tieranatomisches-theater</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1632034040584-76EZ17NMYC52ZH7R8PB0/Paper.Journal.15.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork as stretching senses: "Stretching Materialities" opening at Tieranatomisches Theater - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1632034279961-3DZO9P7M116DRILIX9XP/Paper.Journal.16.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork as stretching senses: "Stretching Materialities" opening at Tieranatomisches Theater - Make it stand out</image:title>
      <image:caption>The opening was the first event in presence of our research cluster in a very long time! We had a nice little crowd, quite mixed, of colleagues, friends, families, and members of the public.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1632034175915-XPA305G7LVR6VFJLQ3N8/Paper.Journal.14.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork as stretching senses: "Stretching Materialities" opening at Tieranatomisches Theater - Make it stand out</image:title>
      <image:caption>Few days before: Christian Stein, architect of the VR elevator, is taking a first try into the Hapit Hanbook. The crew is prepping the prototype: Mohammad Fardin Gholami (macromolecular physicist &amp; electrical engineer), and Yoonha Kim (anthropologist and fashion designer).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1632034311064-HE70JUBZSHR8TUTCPJWK/Paper.Journal.11.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork as stretching senses: "Stretching Materialities" opening at Tieranatomisches Theater - Make it stand out</image:title>
      <image:caption>Two weeks before: Bringing together the haptic wearable and the VR experience, the sound designer Nico Espinoza developed with us a patch on Puredata which is translating the interaction of the atomic force microscope into a sensuous multimodal experience. What a ride! We will keep developing this piece in the next months, and expand this collaboration between anthropologists and immersive interaction artists in a workshop series, the “stretching senses school.” (Read more on “Virtual Sensing Knife and Haptic Hanbok” in this previous post). The exhibition is open until end of January, come visit us and join the fun at the Tieranatomisches Theater Berlin!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2021/6/26/curating-as-fieldwork-stretching-materialities-at-tat-berlin</loc>
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    <lastmod>2021-07-22</lastmod>
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      <image:title>on-going fieldwork - Curating as Fieldwork: "Stretching Materialities" #TATBerlin #MattersOfActivity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1624684662384-DFS79UHWEKEORUSPBVA8/Paper.Journal.27.png</image:loc>
      <image:title>on-going fieldwork - Curating as Fieldwork: "Stretching Materialities" #TATBerlin #MattersOfActivity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1624684688266-YMD4ULZG6KXF37DT4YCT/Paper.Journal.28.png</image:loc>
      <image:title>on-going fieldwork - Curating as Fieldwork: "Stretching Materialities" #TATBerlin #MattersOfActivity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1624684706688-8DX97GDJOHQWHRKVS2C0/Paper.Journal.29.png</image:loc>
      <image:title>on-going fieldwork - Curating as Fieldwork: "Stretching Materialities" #TATBerlin #MattersOfActivity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1624691867543-O2IE2SAMU3UUIRPAU2XG/Paper.Journal.32.jpg</image:loc>
      <image:title>on-going fieldwork - Curating as Fieldwork: "Stretching Materialities" #TATBerlin #MattersOfActivity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1624691801930-ISS315ZXRMEG6F3JXPDG/Banner_29082021_final.jpg</image:loc>
      <image:title>on-going fieldwork - Curating as Fieldwork: "Stretching Materialities" #TATBerlin #MattersOfActivity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2021/5/31/fieldwork-down-the-scale-listening-to-neurons-with-molecular-physicist-fardin-gholami-institut-fr-physik-hu-berlin</loc>
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    <lastmod>2021-07-13</lastmod>
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      <image:title>on-going fieldwork - Fieldwork "Down the Scale": Listening to neurons #Institut für Physik HU Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1622436963180-3VD7FFWQ3FYJ2S5KQD6U/Paper.Journal.16.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork "Down the Scale": Listening to neurons #Institut für Physik HU Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1622436162668-VR45LQO4MIQ0665PDHAH/Paper.Journal.11.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork "Down the Scale": Listening to neurons #Institut für Physik HU Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1622437003950-W0MMZ18F04UE87WC2ITJ/Paper.Journal.12.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork "Down the Scale": Listening to neurons #Institut für Physik HU Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1622437040199-TIPSP1V0Z6PPL7UF6C3I/Paper.Journal.13.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork "Down the Scale": Listening to neurons #Institut für Physik HU Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1622437220737-J9GFW1IPGN1XF6WPKXMJ/Paper.Journal.17.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork "Down the Scale": Listening to neurons #Institut für Physik HU Berlin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1623041127374-0HRI2SNRLNNOFJ5T87VB/TDVRAVDemo210531-2-blob_2.gif</image:loc>
      <image:title>on-going fieldwork - Fieldwork "Down the Scale": Listening to neurons #Institut für Physik HU Berlin - Make it stand out</image:title>
      <image:caption>©MoA &amp; Itaru Yasuda, Virtual Sensing Knife, excerpt from research process</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2021/5/14/fieldwork-at-zoologische-lehrsammlung-stretchingmaterialitiesexhibition-mattersofactivity-humboldtuniversity</loc>
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    <lastmod>2021-05-19</lastmod>
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      <image:title>on-going fieldwork - Fieldwork at Zoologische Lehrsammlung  #StretchingMaterialitiesExhibition #MattersofActivity #HumboldtUniversity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1621058650155-FK0GZF1D4OJVQSMO5S23/Paper.Journal.2.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at Zoologische Lehrsammlung  #StretchingMaterialitiesExhibition #MattersofActivity #HumboldtUniversity</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1621058646649-JWQXB7RQQKS0YV2RDM0I/Paper.Journal.3.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at Zoologische Lehrsammlung  #StretchingMaterialitiesExhibition #MattersofActivity #HumboldtUniversity</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1621058760421-Z7VIUQCVT9YXJ8T8GVVG/Paper.Journal.5.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at Zoologische Lehrsammlung  #StretchingMaterialitiesExhibition #MattersofActivity #HumboldtUniversity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1621059813933-9WML6JV41RLPQ90E8STQ/Paper.Journal.6.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at Zoologische Lehrsammlung  #StretchingMaterialitiesExhibition #MattersofActivity #HumboldtUniversity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1621060181645-UZDYSZHW1744HF84IYF4/Paper.Journal.7.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at Zoologische Lehrsammlung  #StretchingMaterialitiesExhibition #MattersofActivity #HumboldtUniversity</image:title>
      <image:caption>eaar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1621059961944-D2DE4YYIM8AS8QCF21CX/Paper.Journal.8.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at Zoologische Lehrsammlung  #StretchingMaterialitiesExhibition #MattersofActivity #HumboldtUniversity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1621057560003-RWR4FGRH8TI1M444FFLV/Paper.Journal.1+3.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at Zoologische Lehrsammlung  #StretchingMaterialitiesExhibition #MattersofActivity #HumboldtUniversity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2021/4/25/fieldwork-at-home-kombucha-dance</loc>
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    <lastmod>2021-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1619358122769-RH4E1QIL782P7OXU3HOD/kombucha+dance.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at home: Kombucha's Mattering Dance</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1619365961353-YRFZXDOWI94Z7FVF45Q7/Kombucha_Refresher2.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at home: Kombucha's Mattering Dance</image:title>
      <image:caption>Poster of the meeting #1 of our fermentation club, following up on the “Shelf Life” workshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1622435536273-NL68N5EQW7ELODFWLA1I/Paper.Journal.5+2.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork at home: Kombucha's Mattering Dance - Make it stand out</image:title>
      <image:caption>Highlight from the Kombucha Refresher session: Cluster PI Jörg Niewöhner happily shared with us his mixed feelings regarding his Kombucha brewing practice. With permission of Jörg Niewöhner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2021/1/15/l4mwoz6uin9ilml7i8e82ir5opc29y</loc>
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    <priority>0.5</priority>
    <lastmod>2021-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1610706819214-JUWCUIJXX2280YR75YDT/Paper.Fieldwork_Neurosurgery_Charite%CC%81_2019.21.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork with: neurosurgeons. "Family meeting" and interview with the Chef @ Charité</image:title>
      <image:caption>Senior surgeons weekly meeting at Charité. © Maxime Le Calvé</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1610706687853-EBQHXBPWMOQNRO8XZ2ZK/Paper.Fieldwork_Neurosurgery_Charite%CC%81_2019.23.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork with: neurosurgeons. "Family meeting" and interview with the Chef @ Charité</image:title>
      <image:caption>Prof. Vajkoczy, screenshot of the footage for the “image film.” ©Theo Thiesmeier © Maxime Le Calvé</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1619848845134-3OWZ5VX6XJNGF2QTEFIK/photo5195079058856194340.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork with: neurosurgeons. "Family meeting" and interview with the Chef @ Charité</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2020/12/5/ytdf5siw1i1rx3poitj5js7neblv0d</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1607185868551-F8M7M762URGWQ198QFEB/Paper.Journal.22.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork/workshop: preparation of the kits for « Shelf Life »</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1607185900588-TLCN4NHDBQRQW5Y1VA69/Paper.Journal.17.jpeg</image:loc>
      <image:title>on-going fieldwork - Fieldwork/workshop: preparation of the kits for « Shelf Life »</image:title>
      <image:caption>Anne and Vanessa at work, preparing the SCOBY babies for the registered participants.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1607185931508-1DFORPDQ8HGH9EY18EYQ/Paper.Journal.18.jpeg</image:loc>
      <image:title>on-going fieldwork - Fieldwork/workshop: preparation of the kits for « Shelf Life »</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1607185953068-U9P3J6AVDKL0IZ49P98S/Paper.Journal.19.jpeg</image:loc>
      <image:title>on-going fieldwork - Fieldwork/workshop: preparation of the kits for « Shelf Life »</image:title>
      <image:caption>Maxime shipping the kits, proud to go beyond words (or pictures) and moving towards activities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1607194050283-QK0I02DCNMTK9PNPDR1J/201125_shelf_life_plakat_press.jpeg</image:loc>
      <image:title>on-going fieldwork - Fieldwork/workshop: preparation of the kits for « Shelf Life »</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2020/11/18/haplogk61dfmbdzw7uf3xxet7cwnk8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1605711030357-5QDESAGDNT3SLS39WNVR/Paper.Journal.9.png</image:loc>
      <image:title>on-going fieldwork - "Para-siting" Fieldwork: video interview sessions with brain scientists at Charité for a collaborative project at the Humboldt Lab</image:title>
      <image:caption>Doctoral researchers Melina Engelhardt and Mehmet Tuncer engaged with me to develop this project, together with Yoonha Kim. First, in the row, Mehmet shared his perspective on his current research and on the future of neurosurgical planning. We sat in front of the green screen that is now used for the current COVID online teaching efforts, under the supervision of our cameraman Theo. Melina took a photograph to share both on her Twitter account and the labs. That picture helped me to compose this scene from another perspective.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1605711105614-4CVZTZRPRREPHDV95K51/Paper.Journal.7.png</image:loc>
      <image:title>on-going fieldwork - "Para-siting" Fieldwork: video interview sessions with brain scientists at Charité for a collaborative project at the Humboldt Lab</image:title>
      <image:caption>Thanks to the cluster Matters of Activity, we could hire an experienced and talented filmmaker, Theo Thiesmeier, who has a long-standing practice of producing movies in curatorial contexts. We sought and found, thanks to Thomas, a beautiful space to host a series of group interviews: the historical library of the not-less-historical Rudolf Ludwig Carl Virchow anatomical auditorium. On the walls of the library, a collection of skulls and mortuary masks of celebrities of that time. Two skeletons were hanging out there with us. But they don’t get to feature in our movie… “a bit too weird”, says Theo. Maren Denker accepted generously to give us a short interview there about her nascent project at the Lab on the improvement of surgical treatment of facial paralysis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1605711067533-6OG4LTW1WCZ7FZN9ZNH7/Paper.Journal.8.png</image:loc>
      <image:title>on-going fieldwork - "Para-siting" Fieldwork: video interview sessions with brain scientists at Charité for a collaborative project at the Humboldt Lab</image:title>
      <image:caption>The “main” of this first film project around the Digital Twin project is an interview with its group leader, Lucius Fekonja. I have already written a first article on his brain cartographic practice, focusing on his intersecting expertise as a medical illustrator and neuroscientist (soon accessible online there). However, the camera and this specific project gave us the unforeseen possibility of sitting and conversing together for more than 90 minutes. We discussed the installation in the Humboldt Lab, his current project around the improvement of planning surgical intervention on speech functions. He was also kind enough to unfold his medical illustration working process for us, working through the layers on his giant drawing tablet… more on this very soon! “What I like about Maxime’s project is that it is somewhere midway between an art and science format”, he said to Theo. Of course, he appreciates the interest that I manifest for his work. Like him, I see this collaboration as the exchange of time and ultimately as the “exchange of gifts”, as the ethnographer and film maker John L. Jackson puts it (2004). An exchange of gifts that is intertwining our careers and our destinies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1605773094467-QSAJFL61UXL3QVL2WML8/Paper.Journal.10.png</image:loc>
      <image:title>on-going fieldwork - "Para-siting" Fieldwork: video interview sessions with brain scientists at Charité for a collaborative project at the Humboldt Lab</image:title>
      <image:caption>This fusion between the pictures of Lucius and the works of Mehmet hasn’t happened yet in the video, but it is soon to come. This is also what multimodal anthropology is leading to —an inventive practice which is first and foremost a collaborative thing going on between the research partners and the anthropologist. This process gives shape to surprising results and engaging results between ethnography and fiction, between the mediation of a present reality, a reflection on the shape of a practice, and a shared speculation on the future.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2020/11/3/fieldwork-with-hyper-haptics-seminar-weissensee-kunst-hochschule-berlin-021120</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1604413490842-5N3S5MNB8A64VXK5DWZ6/Paper.Journal.1.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork with: Hyper Haptics, seminar @Weissensee Kunst Hochschule Berlin, 02.11.20</image:title>
      <image:caption>Prompted to explore the design of sensations, students have been given a cue to work from: an “onomatopoeia” inspired from a poetic sentence that they have picked at random. They have also been given a specific technique to explore: a memory alloy wire that moves when charged up with energy. During a series of “sprints” workshops and presentations, they are making up haptics sensations through forms and motions animated by these “muscle wires.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1604413549628-TG2VUEY7G7ODY2U3N5DD/Paper.Journal.2.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork with: Hyper Haptics, seminar @Weissensee Kunst Hochschule Berlin, 02.11.20</image:title>
      <image:caption>This student has built diverse devices to work on the idea of the “rustling” – a sensation that can be translated in sound as well as on tactile sensation. These moving platforms are tilting under the hand of the user, creating an effect of rustling that is remotely reminding me of frolicking in the high weeds in the high summer. Colleagues students suggest to amplify the sound to make it more “rustly.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1604413609777-YM91EFO268QZFZ7I3YN1/Paper.Journal.3.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork with: Hyper Haptics, seminar @Weissensee Kunst Hochschule Berlin, 02.11.20</image:title>
      <image:caption>Presentations are projected on the screen: an emphasis on the process and on the documentation of the many steps, as well as its narratives, is strongly encouraged by Carola Zwick and by the teaching team. “This is also design research,” says Judith, “things that should now appear on the CV of designers. Also, we train them to maybe continue onto the academic path.” The exercise of making quick design “sprints”, a term borrowed from computer programming, brings the students to explore ideas in their materiality more dynamically: here, a “slithering of the snake” is transduced into paper and muscle wires in many different iterations. On this phase, none of them is satisfying to the student but nonetheless, the “journey” is captivating.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1604413647020-S3QY5B6HMEETT2DGA0MG/Paper.Journal.4.png</image:loc>
      <image:title>on-going fieldwork - Fieldwork with: Hyper Haptics, seminar @Weissensee Kunst Hochschule Berlin, 02.11.20</image:title>
      <image:caption>This student is working on the fluidity and qualities of water. How can we translate them into these semirigid materials? The week before, he started from the fascinating folding of a single paper leaf with the muscle wire. Today, he first shows us the motion of a wave through a cut-out paper shape. Using motion sensor, he tries to convey the impression that the gesture of his hand has triggered a wave reaction in the paper material. “The final product, which is the key feature and the main goal of most other seminars, generally outshines the whole research process. Usually, in the second week, students are working on the mood boards, doing some field research. With us, they are already in the second rounds of presentation.” The student expressed some humor, gluing a smiley on his hand to simulate the swimmer’s movement with his fingers. “It’s always nice to have to trigger a smile in a presentation”, says Judith. She also advises to speed up the videos, to magnify the phenomenons, and get them to gain some spectacular features. “Trick it!” – however, the subtlest motions are much appreciated, an insider joy exclusive to the specific aesthetics of design researchers and other technical poets (Simondon would probably love it). Reading an earlier version of this post, Judith thus commented on this point: “Just to make sure: This is about early prototypes where they maybe did not manage to fully implement what they were looking for yet want to communicate a certain quality, aim or finding. Post producing physical prototypes is an appropriate way to argue concepts and make a point. Because a prototype is about communicating ideas it is an »Illustration of concepts –meant to allow the user to imagine and enact the use case to open discussions.« (Massimo Banzi).” It’s also a way to get better at writing these stories and cultivating the art of presenting the idea. As Carola Zwick pointed out in the previous session: “your clients are going to pay a lot of money for your ideas. So you own them to be able to tell them in a convincing way!”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2020/2/3/visit-at-the-studio-75-with-carola-zwick-and-burkhard-schmitz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1580748071972-C7XQJ3TGUJDIX3416URC/qGJzPLcSSOOYAoJJbhTNSQ_thumb_df.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork: Visit at the Studio 7.5 (with Carola Zwick and Burkhard Schmitz)</image:title>
      <image:caption>In the kitchen of the studio, a central space in the social life of the studio and the theater of operation of a cook that is permanently employed by the studio, Carola and Burkhard deliver a brief history of their company. How small the first studio was, how they got the interest of that major furniture label, how they took some radical steps that made the business take off more slowly and how this cutting-edge attitude paid in the end. The studio now employs around ten people including the founders and it is now recognized as a major asset in the catalogue of Herman Miller and their products are famous world-wide.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1580748156906-7W9S54SH1JKED2MOMZM7/UNADJUSTEDNONRAW_thumb_e0.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork: Visit at the Studio 7.5 (with Carola Zwick and Burkhard Schmitz)</image:title>
      <image:caption>Kathrin and Habakuk are testing out a new concept of chairs designed to be ergonomic even when working with a laptop: “start-up cool” and yet healthy through design! The room has tall windows that give a lot of light and a view on the water surface of the canal outside. It is filled with samples materials, on tables and on a stylish catwalk that crosses the room, on which forms are being displayed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1580748225929-LUZ7NMVF6E29TQZ9QBGA/UNADJUSTEDNONRAW_thumb_e2.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork: Visit at the Studio 7.5 (with Carola Zwick and Burkhard Schmitz)</image:title>
      <image:caption>Carola explains us the story of a new concept that they are struggling to get into production, a mobile battery for conferences and offices. The many iterations of shapes and material silently testify for the hard work that is concentrated in this one latest prototype.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1580748175509-HGN6QPPNFIFKJMKP7L6E/UNADJUSTEDNONRAW_thumb_e1.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork: Visit at the Studio 7.5 (with Carola Zwick and Burkhard Schmitz)</image:title>
      <image:caption>The latest product of their pioneer design line is called “Cosm”. Lucius seems convinced and is having a very brief moment of quiet. He is here caught day-dreaming of a budget extension that would allow him to sit on this chair everyday at work. Kathrin is having a look at the morphological evolution of the chairs’ iterations, which Carola brings to our attention.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1580748307519-749ASL43QPAT6SF8MOF4/UNADJUSTEDNONRAW_thumb_e5.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork: Visit at the Studio 7.5 (with Carola Zwick and Burkhard Schmitz)</image:title>
      <image:caption>Lucius and Thomas are listening intensely to the stories that Carola unfolds with gusto. At Studio 7.5, the iterative process and its material contingencies are core to design craft. A series of prototypes stages the development and the overcoming of technical difficulties, slowly giving shape to the latest model, which is never understood as a final development. Very comfortable chairs indeed, and especially with that recliner twist!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1580884433735-9CEOEWAF0UME920AMX1H/ro14leprRSawXS%252B18tWlDQ_thumb_e6.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork: Visit at the Studio 7.5 (with Carola Zwick and Burkhard Schmitz)</image:title>
      <image:caption>A reliable participant in the design process: the artificial human bottom. We also discuss about the possibility of making chairs to measure, or in various size. It doesn’t work, says Carola, there is some politics at work in design, esp. in the USA, and everything has to be design for everyone: “Figure yourself a situation into which they wouldn’t give you the job because you objectively don’t fit on the chair!“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1580748245063-B9B2N1CKVJY4Z6D5VAZW/UNADJUSTEDNONRAW_thumb_e3.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork: Visit at the Studio 7.5 (with Carola Zwick and Burkhard Schmitz)</image:title>
      <image:caption>Studio 7.5 has been experimenting for many years on additive manufacturing, from polymers to concrete. Here, Kathrin is testing the solidity of outdoor furniture that looks like a mesh of lines spread by the machine. Behind the grey cardboard room separator, a co-worker is silently making progress on a 3D-model. The studio has come a long way in controlling each aspect of the production process through hands-on experiments and prototyping. They have become experts in bridging digital models and materials products. Carola explains that they are being paid on a royalty model, as it constitutes a fair share of risk and reward for both. They are considering ourselves not being a service provider but a development partner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1580748260445-D2NLY0OX81UG3P30SYX0/UNADJUSTEDNONRAW_thumb_e4.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork: Visit at the Studio 7.5 (with Carola Zwick and Burkhard Schmitz)</image:title>
      <image:caption>“Demo or die!” claims Carola, the motto of the MIT of the early 80’s converted from programming to product design. In the workshop, Krzysztof is working on a piece. All has to be tested at very early stages with material models. They refrain buying new machines, because devices have great influence on the creation process. The visit is over soon after. The performance is very convincing and is a demonstration of how staging is an intrinsic part of the job of top-level designers. Materials, devices, prototypes: the true actors of this theater are given full credit for their part of the job.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/2020/1/23/charit-dpt-of-neurosurgery-how-to-preplan-a-surgical-operation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1579791892211-OHX95QMFPFHDYEFDKFP3/UNADJUSTEDNONRAW_thumb_d8.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork at the Image Guidance Lab (Charité): how to "preplan" a neurosurgical operation</image:title>
      <image:caption>The software is available from any computer in the hospital. The data of the MRI appears directly in the program. First part is to find the patient and access to the relevant images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1579791924303-8N2QQ3I6GFIA0FS8DUX3/UNADJUSTEDNONRAW_thumb_d9.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork at the Image Guidance Lab (Charité): how to "preplan" a neurosurgical operation</image:title>
      <image:caption>The next step is a fusion of the images that are available.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1579791941182-OCZE3OKGY3UZB48YI6KC/UNADJUSTEDNONRAW_thumb_da.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork at the Image Guidance Lab (Charité): how to "preplan" a neurosurgical operation</image:title>
      <image:caption>The scan appears in three dimensions, according to the series of images generated by the MRI. From those 3 series, the software generates a 3D visualisation, on the up-left corner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1579792099567-9L9TPIGT58XAMH6U5SPU/UNADJUSTEDNONRAW_thumb_db.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork at the Image Guidance Lab (Charité): how to "preplan" a neurosurgical operation</image:title>
      <image:caption>The next step is to “draw” the tumor of the patient. Several tools exists in the program. On one of the three 2D images, the student “draws” the tumor by manually highlighting the borders of that slightly zone. An algorithm in the software guides this drawing by coloring automatically the tumor. The “drawing” appears as one “slice” of the tumor in the 3D representation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1579792851029-14CI0Y6H9OM2EO0W29GB/UNADJUSTEDNONRAW_thumb_dc.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork at the Image Guidance Lab (Charité): how to "preplan" a neurosurgical operation</image:title>
      <image:caption>After having done the same work on another 2D, the tumor appears now in 3D. the student drawing on a second of the 2D images, the tumor now appears as a 3D representation in the viewer. This has to be refined now, and depending on the clarity of the definition of the tumor, the manual result can show a sensible difference with the result of the algorithm. Thomas explains that even very experienced users can obtain slightly different drawings: the challenge is that the border is never completely sure. They discuss now about how to access that tumor, there are several possibilities with various difficulties.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1579793189713-R7007T4AMSFPOOCIT2DE/UNADJUSTEDNONRAW_thumb_dd.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork at the Image Guidance Lab (Charité): how to "preplan" a neurosurgical operation</image:title>
      <image:caption>What can we do after this, asks Thomas? “Tractography!” reply the students. They have been learning the day before from Lucius about that relatively new technique of visualization of the most important networks of the white matter: those related to motric and speech functions. Those “circuits” are statistically computed from MRI data (that’s for another post). Most importantly, drawing those tracks enable the surgeon to avoid damaging them during the operation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1579792193404-SCU6IDGIBNSDRN66JCAG/UNADJUSTEDNONRAW_thumb_de.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork at the Image Guidance Lab (Charité): how to "preplan" a neurosurgical operation</image:title>
      <image:caption>This track, in blue, was highlighted successfully by the student. “When the track is so neatly appearing on the visualization software, you can be sure that it’s an important one”, says Thomas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1579793562997-LI0V8A0Z11MTZ6EVK70B/UNADJUSTEDNONRAW_thumb_d8.jpg</image:loc>
      <image:title>on-going fieldwork - Fieldwork at the Image Guidance Lab (Charité): how to "preplan" a neurosurgical operation</image:title>
      <image:caption>That was it for the day. Last discussion, Thomas explains about their current research interest in more advanced modes of data visualisation. Was the software clear enough? Do we need an hologram to visualise the objects in 3D? The opinions are divergent. But all seem very satisfied by this thourough hands-on introduction. Thomas conclude: “The surgeons do exactly the same that you did today. They only do it a bit faster!”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/on-going-fieldwork/category/stretching+senses+school</loc>
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    <loc>https://www.maximelecalve.com/on-going-fieldwork/category/neurosurgery</loc>
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  <url>
    <loc>https://www.maximelecalve.com/neurosurgery-a-day-in-a-life-of-a-resident</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1590131141084-Q5M4MZGRZZJJFTVKVON7/Paper.Fieldwork+Neurosurgery+Charite%CC%81+2019.10.jpg</image:loc>
      <image:title>Neurosurgery, a day in a life of a resident - informal meeting around patients records</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1590131141096-DNVVK7WHFYE68PWUXN1Z/Paper.Fieldwork+Neurosurgery+Charite%CC%81+2019.9.jpg</image:loc>
      <image:title>Neurosurgery, a day in a life of a resident - Cutting the skin of the skull</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1590131138927-M1A3L8LI2432MREJSVQ4/Paper.Fieldwork+Neurosurgery+Charite%CC%81+2019.8.jpg</image:loc>
      <image:title>Neurosurgery, a day in a life of a resident - preparation of a young patient in the OR (shunt intervention)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1590131138328-9MBI7IYELS7SRWP6D0KE/Paper.Fieldwork+Neurosurgery+Charite%CC%81+2019.6.jpg</image:loc>
      <image:title>Neurosurgery, a day in a life of a resident - Stereotaxy by the assistant, under supervision of the surgeon</image:title>
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    <image:image>
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      <image:caption>Read the whole story on the blog of Berliner Festspiele: https://blog.berlinerfestspiele.de/mutter-und-sohn-realitaet-trifft-kunst-z-u-k-u-n-f-t-der-unendlichkeit/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1547189677236-UKB851UUJ7JQ5A7AXTKD/MeeseVR4.jpg</image:loc>
      <image:title>drawings - Brigitte Meese entering the white cube VR set. Read</image:title>
      <image:caption>Read the whole story on the blog of Berliner Festspiele: https://blog.berlinerfestspiele.de/mutter-und-sohn-realitaet-trifft-kunst-z-u-k-u-n-f-t-der-unendlichkeit/</image:caption>
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      <image:title>drawings</image:title>
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      <image:title>drawings - Philip checking the lighting on the 8 cameras of the VR recording device.</image:title>
      <image:caption>Read the whole story on the blog of Berliner Festspiele: https://blog.berlinerfestspiele.de/mutter-und-sohn-realitaet-trifft-kunst-z-u-k-u-n-f-t-der-unendlichkeit/</image:caption>
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      <image:title>drawings - Brigitte Meese entering the white cube VR set. Read</image:title>
      <image:caption>Read the whole story on the blog of Berliner Festspiele: https://blog.berlinerfestspiele.de/mutter-und-sohn-realitaet-trifft-kunst-z-u-k-u-n-f-t-der-unendlichkeit/</image:caption>
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      <image:title>drawings</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1530032527040-O7U3MWL3S5PCMN2YDD73/JazzBerlinDonau115Juli2017.jpg</image:loc>
      <image:title>drawings - Jazz at Donau115</image:title>
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      <image:title>drawings - Street Scene Weserstr. Berlin Späti International 2017</image:title>
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      <image:title>drawings - Lake View Berlin Summer 2017</image:title>
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      <image:title>drawings</image:title>
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  </url>
  <url>
    <loc>https://www.maximelecalve.com/writings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-04-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/9f4b0a4b-e1ea-4fb7-93a2-c35a461af4d3/Screenshot+2024-05-30+at+15.41.49.png</image:loc>
      <image:title>writings - 2024 Golden Pudel-Ethnographie</image:title>
      <image:caption>Atmosphäre, Netwerke und Reputation in einem hamburger Nachtklub. Transcript (Bielefeld). Review: Jirsak, Karin. « Ethnografie des Golden Pudel Clubs: Wummernder Tempel der Aufrichtigkeit ». Die Tageszeitung: taz, 7 february 2025. https://taz.de/Ethnografie-des-Golden-Pudel-Clubs/!6066361/. LINK to open access.</image:caption>
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      <image:title>writings - 2018 Exercices d’ambiances</image:title>
      <image:caption>Thematic issue of Communications, n° 102, co-ed. with Olivier Gaudin, 05/2018. Peer-reviewed. LINK TO PRINTED BOOK LINK TO OPEN ACCESS</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/9eb0ab68-781f-4e02-90f7-07558ef8e589/Screenshot+2026-01-16+at+14.26.36.png</image:loc>
      <image:title>writings - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/17c63707-7a9e-4000-8446-ee9715d5bffb/f2.jpg</image:loc>
      <image:title>writings - 2023 Théories Du Design – Une Introduction. Claudia Mareis.</image:title>
      <image:caption>Dijon: Presses du Réel. Translation from German to French, (304 p.) ISBN : 978-2-37896-244-9, LINK.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1bb33cf2-0632-4aab-8dbc-c8f0e9a27163/Cover+final+2024.jpg</image:loc>
      <image:title>writings - Cutting Up Writing Up: Anthropoetry at The Edge of The Human</image:title>
      <image:caption>Edited by Maxime Le Calvé Foreword by Stuart McLean With contributions by: Yoonha Kim, Theodore Stanley, Sandro Simon, Geoffrey Garrison, Wendy Chua, Stuart McLean &amp; Maxime Le Calvé (50 p.) AnthroReverb Berlin 2024 LINK to DIGITAL: doi.org/10.21428/80e887d9.9547e9a3 LINK to PRINT VERSION</image:caption>
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  </url>
  <url>
    <loc>https://www.maximelecalve.com/teachings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-24</lastmod>
  </url>
  <url>
    <loc>https://www.maximelecalve.com/curatings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-04-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/d2baf309-03ed-4a5c-a27c-0fba548ad05f/Paper.Fieldwork_Charite%CC%81_2022.13.png</image:loc>
      <image:title>curatings - Sketching Brains: a Participant Exhibition (2022-2024)</image:title>
      <image:caption>Based on the first series of fieldwork within the department at Charité by the graphic ethnographer Maxime Le Calvé and on the research of neurosurgeon and cultural scientist Anna Roethe about image guidance, this initiative takes the form of a series of two exhibitions. The first internal exhibition will curate side-by-side various notes and drawings representing and performing neurosurgical practice, by the ethnographer and by members of the clinic. See more on the “Sketching Brains” project there.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/84dcecb5-c1db-47d7-ad0d-c9202c7131ad/200723_MOA_Poster_Epistemic_Dizziness_picweb.png</image:loc>
      <image:title>curatings - Epistemic Dizziness, September 2023</image:title>
      <image:caption>In an era fraught with dizzying socio-political events and burgeoning ecological catastrophes, this editorial workshop for a special issue will delve into the concept of epistemic dizziness as a disordered state of whirling vertigo, applying it to the contemporary state of STS. As we navigate the tumultuous landscape of an open-ended pandemic, war, and socio-ecological devastation (Stengers 2021), the research practices of STS itself risk inducing ›epistemic dizziness‹. This workshop, inspired by Donna Haraway (2016), draws on ›serious fun‹ as a means of staving off paralysis and fainting, urging that knowledge production can serve as both a coping mechanism and a source of resilience. Repurposing the concept of ›ilinx‹, as delineated by Roger Caillois (1961), the series of lecture performances will critically examine playful dizzying practices in Western, indigenous, and other worlds as a pathway towards comprehending our vertiginously speedy world. This workshop is funded by EASST. We are looking forward and kindly invite you to save the date for this three-day workshop by Jonna Josties, Britta Acksel, and Maxime Le Calvé, which will take place at the Cluster's Central Laboratory, Sophienstraße 22a, September 27th-29th, 2023.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1795ea18-5dd3-4c4e-b89b-db530505fd3e/AnthroTech2023_anim.gif</image:loc>
      <image:title>curatings - How to make sense of other ways of making? Seminar at HU Berlin, March- July 2023</image:title>
      <image:caption>Contemporary multimodal ethnographic approaches are deeply rooted in fieldwork interactions with other knowing and making communities. Describing and theorizing making practices contributes to triggering new interests in material cultures. It also branches out to further studies on embodiment and on the techniques of the self. Telling better stories of making means sharpening our techniques for storytelling, experimenting with new media, and probing other ways of entering into collaboration with epistemic partners. During the summer semester of 2023, we engaged in four collective field works around technical activities: pottery, boomerang making, 3D sketching, and Iyengar yoga. We experimented with various ways to share the ethnographic experiences of “making” practices into text, drawings, workshops, and virtual installations. Students have also actively explored one technique of their choice during the course and documented their practice with a fieldwork notebook, using various techniques such as writing, sketching, 360° captures, etc. On 14.07.2023, the students presented their “journals of technique,” and shared their newly acquired practices with the public. Full open access documentation of the workshop on https://anthrotech.pubpub.org/</image:caption>
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      <image:title>curatings - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>curatings - Nervous Listening: a Workshop on Neuroceptive Ethnographies of Atmosphere, June 2023</image:title>
      <image:caption>“Nervous Listening” is an experimental ethnography workshop led by anthropologists of art and science Marina Peterson &amp; Maxime Le Calvé alongside designer Clemens Winkler. Together with the participants, we delved into the fascinating realm of "Neuroceptive Ethnographies of Atmospheres". Drawing inspiration from the platypus' unique capacity to perceive electromagnetic fields, we probed the potential of extending human perception to encompass other experiential worlds and uncover the relationships between inner and outer climate ecologies. Through a series of conversations and hands-on sensing scores involving balloons and environments, participants were invited to conceptualize and experiment with novel sensing and graphing methods to shift our attention to energies and materials. Workshop documentation here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/4c207663-3f58-4a7a-b95a-d29f8a82de17/Paper.Fieldwork_Charite%CC%81_2022.73.jpg</image:loc>
      <image:title>curatings - More-than-Ethnographic Probes: On Scales, Design Anthropology and Sensory Practices Beyond-the-Human , April-May 2023.</image:title>
      <image:caption>Maxime Le Calvé traveled to Montréal for a short research and teaching stay at the Milieux Biolab and the Milieux Speculative Life Cluster at Concordia University. He was invited by Prof. Alice Jarry, an assistant professor of Design and Computation Arts (Concordia University, Montréal) who holds the Concordia University Research Chair in Critical Practices in Materials and Materiality. Together, they conducted the workshop »More-Than-Ethnographic Probes.« This workshop is a fieldwork device and a platform for the development of collaborative sketching, writing, and documentation methods. They presented the results at the Uncommon Senses conference that same week. More here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/a1e11229-3bab-4f78-92ce-1c7f6de102ac/workshop_stuart_240423.jpg</image:loc>
      <image:title>curatings - Speculative writing workshop: Stuart McLean, May 2023</image:title>
      <image:caption>Stuart McLean, professor of anthropology at the University of Minnesota, is invited by Maxime Le Calvé as part of the stretching senses school (Cutting/OSA) to give a writing workshop on multimodal anthropological fabulations. Suppose we accept that human lives and projects are inextricably intertwined with a host of other-than-human powers and presences (animal, vegetable, mineral, meteorological, etc.). How might we begin to engage these in ways that do not reduce them to human-centered systems of explanation? Perhaps this demands a creative as much as an analytical or descriptive approach.</image:caption>
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      <image:title>curatings - Drawing and Learning Neuro-anatomical Landmarks Spatially, April 2023</image:title>
      <image:caption>How can we use 3D sketching to evolve neuroanatomical education, particularly to transmit the spatial understanding of anatomical landmarks and neurosurgical approaches? During this workshop, we initiated a group of students and researchers and set ourselves to explore other uses for one of the latest VR sketching software: Gravity Sketch. Together, we experimented and discussed the hands-on practice of thinking in space with lines and volumes in VR. Organised and led by Paulina Greta Stefanović (HTW Berlin), and Cluster Member Maxime Le Calvé (anthropology) and Thomas Picht (digital neurosurgery) within the Speculative Realities Lab (Charité) Workshop documentation: https://speculativerealitieslab.pubpub.org/pub/3dsketching</image:caption>
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      <image:title>curatings - stretching senses school workshop: Scoring perspectives for speculative ethnography, November 2022</image:title>
      <image:caption>The two workshops with dance scholar Dorte Bjerre Jensen at the cluster “Matters of Activity" and in the Kunstgewerbe Museum helped us push forward our collective experiments in speculative ethnography and research-as-exhibition. We brought bodies and spaces into motion, and evaluated the potentials of interdisciplinary practices of “scoring” to explore, describe and analyze in first-person the activity of images, spaces, and materials based on the micro-phenomenological method (see Depraz, Varela, and Vermersch 2003, Bitbol &amp; Petitmengin 2017), taking inspiration from the Sharing Perspective interactive performance developed by Dorte with Joe Dumit and the studio Olafur Eliasson. See more here.</image:caption>
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      <image:title>curatings - stretching senses school: Workshop Series at University of the Arts (UdK Berlin) w/ »Innovationen für die künstlerische Lehre«, 2022</image:title>
      <image:caption>The stretching senses school, an MoA project curated by anthropologists Yoonha Kim (Object Space Agency) and Maxime Le Calvé (Cutting), is starting a longer teaching collaboration with the UdK-based project InKüLe (Innovationen für die Künstlerische Lehre). Full info here. Documentation here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/6ae2f0ac-1574-4017-818b-74f282f852e4/epistemicdizziness4.jpg</image:loc>
      <image:title>curatings - Epistemic dizziness. Special Topic Panel at STS-hub, March 2023</image:title>
      <image:caption>What can a practice of epistemological vertigo teach us, as we are facing overflowing ideas, tools, and metaphors in humanities and especially in sciences studies? Are there techniques to grow ourselves out and through this state of off-balance? Maxime Le Calvé, Britta Acksel and Jonna Josties of the Laboratory for Human-Environment Relations (HU Berlin) introduced the notion of epistemic dizziness in a collective paper, followed by hands-on dizziness-inducing exercises. The contribution featured an AI-generated artwork created collaboratively by Lucius Fekonja and Maxime Le Calvé. Full info here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/e8ae3414-f982-4787-a1b0-cec2271fed27/Screen+Shot+2022-07-03+at+10.05.27.png</image:loc>
      <image:title>curatings - The Forests Within and the Brains Without: Panel at the European Association of Social Studies of Science, July 2022</image:title>
      <image:caption>Brains and forests are examples of sites where multiple formulations of our possible futures have flourished in recent centuries: many theoretical attempts, and rich poetical metaphors, bring together these living systems. Such metaphors have emerged since the beginning of modern science, casting converging technoscientific perspectives: neurons once appeared as trees to the naturalists, charting the way toward interventions, not only to heal but also to understand and naturalize psychological knowledge. The foresters of the brains, the neurosurgeons of the forests, the microbiologists, and the fermentation enthusiasts exploring the evolutionary continuities of bacterias and human cells, all insist on navigating and thereby developing specific embodied knowledge about the relations that encompass and inhabit these milieux. In dialogue and in negotiation with the current credo of technoscience, they are committed to an understanding of the more-than-human, or the beyond-human, which builds upon these relations.</image:caption>
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      <image:title>curatings - Ferment-Activity club #5: Miso Hands-On, July 2022</image:title>
      <image:caption>This was an outstanding session with special guests Hannah Landecker and Akko Roku. Hannah Landecker is professor of history of science in UCLA and she is currently writing a book on the industrialisation of metabolism. She previously published on microphotography, bacterias, indigo, picture animation in biology, and many other fascinating topics. Akko Roku is a food artist and a fermentation wizard. She will introduce us to the practice of Miso and to her homemade Koji culture. Both presentations were entangled into a three hours hands-on workshop. We provided the supplies, and the miso is now in our custody for one year in the cluster’s cellar.</image:caption>
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      <image:title>curatings - Stretching Senses School Festival, June 2022</image:title>
      <image:caption>Feeling limestone grow from the inside and seeing its dispersion as urban landscape; experiencing an amphitheater through vibrations of willow branches; reaching out to the hidden electrical energies of things around us; touch the surface of cellular tissues. The »Stretching Senses School Festival« exhibits site-specific virtual reality artworks from ongoing research at the Cluster at TA T, in the continuation of the »Stretching Materialities« exhibition. How can we stretch our senses to explore the world at different scales? Around the thematic of planetary health, the festival brings together different projects that evolved out of a co-educative experiment between multimodal anthropology and immersive interaction art, curated by Maxime Le Calvé and Yoonha Kim, assisted by Anne Delle. The event on June 23rd-25th features four new VR installations and a fantastic lineup of digital performance lectures by leading environmental thinkers Tim Morton, Dominic Boyer, Lisa Messeri and John Tresch.</image:caption>
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      <image:title>curatings - Final presentations of our curated responses to the Stretching Materialities exhibition, December 2021</image:title>
      <image:caption>We are very happy to invite you for the final presentations of the stretching senses school, an exhibition-as-research project embedded in our exhibition Stretching Materialities. This final event will take place on Dec 16, 4-6pm online. The stretching senses school is a curated response of the Berlin-based digital art community to the OSA exhibition, in collaboration with the Node Institute Berlin. The team of 8 selected participants, led by 4 mentors (Jemma Woolmore, Nayeli Vega, VanTa and Mickey von Olst) is delivering thought-provoking exhibits that will be integrated into the work on display at TA T until the beginning of March. You will find an augmentable and commentable open-access documentation of the working process there. The anthropological curatorial team: Yoonha Kim, Maxime Le Calvé, assisted by Anne Delle</image:caption>
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      <image:title>curatings - Application open until the 15.09.21!</image:title>
      <image:caption>The ongoing climate disaster puts many worlds in imminent danger. But conveying the entanglements of the more-than-human relations is an arduous task. Playful approaches can directly affect our sensory faculties beyond the realm of power and knowledge. The »stretching senses school« is an education-as-research project at the Tieranatomisches Theater Berlin (TA T) attached to the exhibition Stretching Materialities, co-partnered with the Node Institute Berlin. Through this workshop-based contribution to the exhibition, we intend to foster collaboration between anthropology and immersive interaction design. We will engage with research-creation in order to raise awareness of the public on the multiscale and embedded interconnections between humans and other earthly beings. All information at this address: https://www.matters-of-activity.de/en/activities/6301/?preview A project developed with the fantastic Yoonha Kim (MoA).</image:caption>
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      <image:title>curatings - »Stretching Materialities« (Sep 2021 - Apr 2022)</image:title>
      <image:caption>The Cluster of Excellence »Matters of Activity« invites you to a special kind of lab tour: In the Tieranatomisches Theater, the project »Object Space Agency« opens the virtual gates on June 29th, 3.45 pm to let you experience the hidden activities of materials: Enter a tangible atmosphere, let the wind blow in your face, feel crackling rattan braids under your feet, immerse yourself in virtual reality perspectives, and travel with our glass elevator. And it doesn't stop there: wear haptically vibrating clothing that responds to its surroundings and experience weathering over millennia with selected stone samples. In »Stretching Materialities«, you can experience what no one else sees: The objects and structures around us are active and alive. And we interact with them whether we realize it or not. Curated by Clemens Winckler, Natalija Miodragovič, Yoonha Kim, Nina Samuel, Yoonha Kim and Maxime Le Calvé Trailer, dates, and information there.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b32697e25bf025d0375dd04/1630563506168-TXMZFRZZOIDLWR94A2LM/video_trailer_day%26night_1.gif</image:loc>
      <image:title>curatings - Between Day &amp; Night : “Immersive Slideshow”, 2021</image:title>
      <image:caption>What if we were able to command a digitalized archive of fieldwork pictures to take off and start spiraling around? The virtual reality installation Between Day &amp; Night: Immersive Slideshow combines the research-creation project Tamed Cloud of the EnsadLab/Spatial Média (Paris) with the research on image knowledge and digital materiality of Object Space Agency at the Cluster of Excellence »Matters of Activity.« The dual-mode existence of the slide reveals the twofold and iterative mode of knowing related to images and to their materiality: an incessant alternation between coding and dreaming, sorting and imagining, analyzing, and storytelling. Taking the Peter H. Feist collection of the IKB as a case study, this site-specific installation elicits a sensorial and evocating experience. It suggests how virtual reality can contribute to truly upgrade the tools of the discipline of visual anthropology, art history, and image theory, and how it can help to endow digital pictures with new kinds of active materiality. Augmented Reality: code and materiality in art and culture, 03.09 - 30.09.21 at the Institute for Art History and Image Theory in Berlin. Link. Link to the publication.</image:caption>
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      <image:title>curatings - ANTART Field/Works Talks, 2021</image:title>
      <image:caption>In 2021, with Jen Clarke, we are curating and hosting a series of art and anthropology talks with the contributors to the second part of the exhibition, which should happen physically in September in Lisbon. This was the opportunity to generate a new set of conversations with guests around the ANTART network. Link to the page. You can access our podcast here: in Apple Podcast. And soundcloud.</image:caption>
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      <image:title>curatings - Field/Works, 2020-2021</image:title>
      <image:caption>For anthropologists and artists “doing fieldwork” in contemporary worlds, art can be much more than an object of investigation. Curation and creation through visual, audio, or performing arts are at the heart of their work, extending the established anthropological interest in writing as a medium of thought and knowledge sharing. This exhibition presents works by anthropologists and artists who break disciplinary boundaries, and whose practice foregrounds experimental, and open approaches to the theme “field/works”. The Field/Works series is a part of the activities of the ANTART network of the European Association of Social Anthropologists and is a partnership with the Faculty of Fine Art of the University of Lisbon (FBAUL). The virtual exhibition in 2020 ran in parallel to the EASA conference, it was co-curated with Jen Clarke and Anna Laine. Link.</image:caption>
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      <image:title>curatings - TATour, 2020</image:title>
      <image:caption>During the COVID crisis, our team “Object Space Agency” was denied access to on-site research as we were preparing an exhibition aiming to show non-human activities in an ancient veterinary anatomical theatre taking on multispecies ethnography in exhibition spaces. Digital drawing and painting in 360° pictures revealed to hold the unanticipated potential to support our endeavor. The creation of a virtual tour provided us with new means of exploration of this space and of its otherworldly inhabitants, remotely inspired by the children's book “Night at the Museum" by the illustrator Milan Trenc (1993).  With this contribution, we intend to reflect critically on the dramaturgical multimedia skillsets and mindsets which were brought forth during this experimental fieldwork. I argue that these images work in a manner analog to that of the psychedelic drawings by Michael Taussig: “in pointing away from the real, they capture something invisible and auratic that makes the thing depicted worth depicting.” (2011, 13) Taking imaginative abilities more seriously could empower anthropologists, enabling them to take part in new kinds of speculative investigations on ontologically varied forms of alterities.  LINK</image:caption>
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      <image:title>curatings - “Nocturnal Fieldwork at the Veterinary Anatomical Theater”, 2020</image:title>
      <image:caption>Artwork related to TATour on display at the virtual exhibition Multimedia Encounter (Multimodal Anthropology Lab at UCL). LINK</image:caption>
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      <image:title>curatings - Shelf Life &amp; the Ferment-Activity Club, 2020-…</image:title>
      <image:caption>Fermentation is a complex set of techniques bridging food substances, microbes, and the environment, which makes us question the distinction between decay and flourishing. Inherently a filtering activity, fermentation relies on the long-standing relationship of yeast and bacteria to nutrients and the elements. Through practices of food transformation, preservation, and consumption, the newly woven symbiotic entities emerge from fermentation processes and enter into a different ecosystem – that of the human body, itself a multi-organism entity. These entities are directly in correspondence with our microbiome: fermented food has, in a way, already stepped into the human digestive system before it is ingested. Drawing on anthropological and historical perspectives, we also aim to examine pockets of resistance against industrialization - communities still practicing ferment activity - while framing them in a broader picture of modern foodways, understanding this phenomenon as a »Gleichzeitigkeit des Ungleichzeitigen«. We seek to re-enchant the supposedly simple task of cooking with the concept of »nurturing materials«: a feminist ecological approach in which we recognize the two-way nurturing and caring processes that are sustained between bodies human and non-human, and within it, a new understanding of ourselves as part of symbiotic ecologies. Undergoing series of online workshops. Updated info on the MoA Blog.</image:caption>
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      <image:title>curatings - Bertsulari: a radiophonic experiment with ethnomusicology, 2014</image:title>
      <image:caption>How can we understand and question what happens when the anthropologist of music creates an experimental, material, and narrative device, at the same time a real music situation and a situation of production of ethnomusicological knowledge? And above all, how to make this device "work" as well as possible, so that interesting phenomena feel invited to it? Our ship-laboratory program "Bertsulari", was chartered thanks to the wonderful collaboration between the program Couleur du Monde and the Institut de Recherche sur les Musiques du Monde. Ethnologists, ethnomusicologists, and Françoise Degeorges embarked with the musicians they love to make them meet in the intimacy of a sound skiff, a shared stage skillfully arranged in the belly of the Maison de Radio France. A study day at EHESS followed: speakers were invited to question restitution, experimentation, and commitment in social sciences, addressing key questions such as the participation of a large public in scientific reflections, the construction of a radio-theatrical device and the active role of the researcher in the worlds he explores. https://www.radiofrance.fr/francemusique/podcasts/ocora-couleurs-du-monde/lancement-du-paquebot-radiophonique-bertsulari-sur-les-ondes-de-france-musique-3490634</image:caption>
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